Showing posts with label Copyright. Show all posts
Showing posts with label Copyright. Show all posts

Sunday, December 8, 2024

AI Tool's Data Training Not Fair Use, Thomson Reuters Argues

Source: Bloomberg Law

Thomson Reuters Enterprise Center GmbH argued Thursday that Ross Intelligence Inc.'s unlicensed use of its copyright-protected information to train an AI-based search model isn’t “fair use” even if the company didn’t directly use the original data. To read more please go to the following link:

https://news.bloomberglaw.com/ip-law/ai-tools-data-training-not-fair-use-thomson-reuters-argues

Wednesday, December 4, 2024

Plea In Delhi HC Seeks Guidelines To Protect Artists Work From AI Training Usage

 Source: NDTV

A plea has been filed in the Delhi High Court seeking directions to the Centre to formulate appropriate rules and regulations aimed at protecting talented artists from the unauthorized use of their original works by AI platforms. Plea also seeks directions against the Ministry of Electronics and Information Technology to amend the IT Act with the aim to develop a framework for enforcing and regulating Artificial Intelligence to mitigate potential system and societal risks. to read more please go to the following link:

https://www.ndtv.com/ai/plea-in-delhi-hc-seeks-guidelines-to-protect-artists-works-from-ai-training-usage-7170639

Tuesday, September 24, 2024

AI’s right to copy

Source: India Business Law Journal

As debate swirls around ownership of AI-generated content, what are the lessons for India on anchoring AI in copyright law? To read more about this please go to the following link:

https://law.asia/generative-ai-copyright-law/

Thursday, March 4, 2021

Offences under Section 63 of Copyright Act,103 Trademark Act are non-bailable: Bombay high court

 Source: Times of India dated 04.03.2021

To read this article by Swati Deshpande, go to the following link:

https://timesofindia.indiatimes.com/india/offences-under-section-63-of-copyright-act103-trademark-act-are-non-bailable-bombay-high-court/articleshow/81336739.cms

Friday, February 5, 2021

Popping the Bubble: Online Swag Purveyor Held Accountable For Infringement

 Source: Above the Law (https://abovethelaw.com)

Redbubble was attempting to exploit the Section 512 safe harbor to avoid liability for the obviously infringing items sold on its website ...... To read this article, go to the following link:

https://abovethelaw.com/2021/02/popping-the-bubble-online-swag-purveyor-held-accountable-for-infringement/

Thursday, November 21, 2019

What is IPRS, the artists' body that has gone to police against Yash Raj Films?

Article in the Indian Express dated November 21, 2019 regarding the Indian Performing Rights Society by Mohamed Thaver. Link to this article:

https://epaper.indianexpress.com/c/45987515

Wednesday, November 20, 2019

Top film production house in royalty row

Source: Times of India dated 20.11.2019

The economic offences wing (EOW) has booked Yash Raj Films (YRF) Pvt Ltd, its chairman and managing director Aditya Chopra, his brother Uday Chopra and others for criminal breach of trust and failing to pay royalty amounting to Rs 100 crore to several music composers and writers since 2012.
EOW was acting on a complaint filed by Sheetal Madnani of the Indian Performing Rights Society (IPRS), a professional body representing composers, lyricists and music publishers registered under the Copyright Act and Copyright Rules, and which collects royalty on behalf of authors and composers. IPRS's main charge is that YRF has been collecting royalty from licensed users of music since 2012 but hasn’t been passing them on to composers or lyricists.
An EOW officer said a preliminary enquiry (PE) was conducted before an FIR was registered. TOI made phone calls, and sent messages and emails to the communications department of YRF, but there was no response even 24 hours later.
The complainant’s statement to the police read: “The settled legal position is that while the production house can monitor and collect royalties for sound recordings and its own (equal) share of exploitation of lyrics and musical compositions, it cannot collect royalties on behalf of authors/music composers, which is the sole and exclusive domain of IPRS and no one else.”
The FIR was registered at the Amboli police station, and then transferred to EOW, a police department that probes financial crime. The complainant alleged that YRF had collected huge amounts of royalties from various platforms and had illegally diverted the same through unknown channels for personal gain. The complainant claimed that IPRS had documentary evidence in the form of an exchange of letters between it and YRF, clarifying its position as a copyright society that is the only entity authorised to collect and distribute royalties on behalf of its members.
The complainant added that YRF has, in order to create a ‘smokescreen’, been giving “miniscule” and “arbitrary” amounts of royalties to certain authors and composers. “Additionally, realising that its acts are illegal, the production house is now engaged in coercing authors and music composer members of IPRS to execute additional agreements in an attempt to cover its illegal activities that include having collected 100% royalties, including those due and payable to authors in the past.”
IPRS has collected royalties from two TV broadcast platforms, but it has not been able to collect royalties from telecom platforms, radio and other music streaming platforms in respect of authors’ share or royalties for the production house’s works, the complainant stated.
EOW is probing the case under section 409 (criminal breach of trust by public servant, or by banker, merchant or agent) of the Indian Penal Code and four other sections of the Copyright Act.

Thursday, October 24, 2019

Journalists call for action against Google

Source: Hindustan Times dated 24.10.2019

-- Agence France-Presse
Paris : Hundreds of journalists called on Wednesday for European officials to take action against Google over its refusal to pay media companies for displaying their content in defiance of a strict new EU copyright law.


France was the first country to ratify the law, which was passed this year and comes into force on Thursday to ensure publishers are compensated when their work is displayed online.
But Google said last month that articles, pictures and videos would be shown in search results only if media firms consent to let the tech giant use it for free.
If they refuse, a headline and a link to the content will appear, Google said, certainly resulting in a loss of visibility and potential ad revenue for the publisher.
Around 800 journalists as well as photographers, filmmakers and media CEOs signed an open letter published in newspapers across Europe urging governments to ensure that Google and other tech firms comply with the new EU rule.
“The law risks being stripped of all meaning before it even comes into force,” the letter said, calling Google’s move “a fresh insult to national and European sovereignty”.
“The existing situation, in which Google enjoys most of the advertising revenue generated by the news that it rakes in without any payment, is untenable and has plunged the media into a crisis that is deepening each year,” it said.

Tuesday, April 2, 2019

Where credit isn't due: row over Javed Akhtar's lyrics shows how producers defeat copyright laws

Article in the Indian Express dated April 2nd, 2019 regarding India's Copyright law by Arul George Scaria (Assistant Professor, National Law University, Delhi)Link to this article:

http://epaper.indianexpress.com/c/38153776

Friday, January 4, 2019

HC to decide on copyright for old songs

Source: Times of India dated 04.01.2019
Mumbai:
Bombay high court on Thursday said it will soon consider if reproduction of old traditional songs amounts to copyright violation and is liable for criminal action. A division bench of Justices B P Dharmadhikari and Revati Mohite-Dere admitted a petition filed by lyricist and song writer Pramod Surya and publishers Pukhraj Surya and Hiten Patel, seeking to quash an FIR lodged against them for copyright violation.
The petition stated that Surya had compiled old Marwari and traditional Gujarati songs, sung during marriages and other ceremonies, and published them in two books. In December 2014, Ashadevi Sonigada had filed a complaint at Malad police station alleging that Surya and the publishers had copied a song she had already published in her book. PTI

HC to decide on copyright of old, traditional songs

Source: DNA dated 04.01.2019

The Bombay High Court on Thursday said it will soon consider if the reproduction of old traditional songs amounts to copyright violation and is liable for criminal action.
A division bench of Justices BP Dharmadhikari and Revati Mohite-Dere admitted a petition filed by lyricist and song writer Pramod Surya and two publishers Pukhraj Surya and Hiten Patel, seeking to quash an FIR lodged against them for copyright violation.
According to the petition, Pramod Surya had made a compilation of old Marwari and Gujarati traditional songs, sung during marriage and other ceremonies, and published them in two books.
In December 2014, one Ashadevi Sonigada had filed a complaint at the Malad police station alleging that Pramod Surya and the two publishers had copied a song that she had already published in one of her books.
The high court, after hearing brief arguments, sought to know as to how copyright can be claimed on such songs.
“These are old traditional songs that have been played and sung at weddings and other ceremonies for generations. How can one claim copyright on it? This is like saying our national anthem and ‘Vande Mataram’ cannot be reproduced by anyone anywhere,” Justice Dharmadhikari said.
While admitting the petition, the bench directed the police not to file its charge sheet in the case against the lyricist and the publishers.
“We will consider the issue whether reproduction of old traditional songs and compilation of such songs amounts to copyright violations and criminal action,” the court said.

‘Can’t claim copyright over songs, tales that have been in public space’

Source: Hindustan Times dated 04.01.2019

  • Kanchan Chaudhari n kanchan.chaudhari@hindustantimes.com

  • MUMBAI:No individual can claim copyright over something that has been in public domain for long, such as the national song or anthem, the Bombay high court (HC) said on Thursday.
    The division bench of Justice BP Dharmadhikari and Justice Revati Mohite-Dere was hearing a petition filed by three city residents, Pramod Sharma, Pukhraj Sharma and Hiten Patel, seeking quashing of the criminal proceedings initiated against them for copyright violations.
    Acting on their plea, the bench restrained the Malad police from filing a charge sheet in the case.
    In December 2014, Malad police booked the trio under relevant sections of the Copyrights Act, 1977, for purported infringement of copyright of a book written by Ashadevi Sonigda.
    Sonigda claimed that she has written books depicting Mewad folk songs and folktales and has obtained necessary copyright certificate from the Copyright Board in 2013. She alleged that the trio copied contents of her books and incorporated the same in books written and published by them, and thus infringed her copyright.
    In 2016, the trio approached the HC, seeking quashing of the criminal proceedings against them contending that they too had obtained copyright certificate from the Copyright Board of the books published by them, albeit a year after the complainant woman obtained the certificate.
    Their lawyer pointed out that the contents of the books, over which the complainant claimed copyright, is in public domain and the traditional songs are being sung by women during marriages in certain Marwari communities. The tales have been doing rounds within the community for ages, the lawyer said.
    The bench accepted the contention. The judges felt that the complainant could not have staked exclusive copyright over traditional songs and legends, which have been circulated within the community for a long period.
    The directive came after additional public prosecutor FR Shaikh pointed out to the bench that investigation in the case was complete and charge-sheet was ready.

Monday, December 31, 2018

New life for old classics, as their copyrights run out

Source: Times of India dated 31.12.2018

Nearly a century ago, publisher Alfred A Knopf released a slim book of spiritual fables by an obscure Lebanese-American poet and painter named Kahlil Gibran.
Knopf had modest expectations, and printed around 1,500 copies. Much to his surprise, the book — titled “The Prophet” — took off. It became a huge hit, and went on to sell more than 9 million copies in North America alone.
Until now, the publishing house that still bears Knopf’s name has held the North American copyright on the title. But that will change on Tuesday, when “The Prophet” enters the public domain, along with works by thousands of other artists and writers, including Marcel Proust, Willa Cather, D H Lawrence, Agatha Christie, Joseph Conrad, P G Wodehouse, Rudyard Kipling, Katherine Mansfield and Robert Frost.
In 2019, a large body of copyrighted works will lose their protected status — a shift that will have profound consequences for publishers and literary estates, which stand to
lose both money and creative control. It will also be a boon for readers, who will have more editions to choose from, and for writers and other artists who can create new works based on classic stories.
The sudden deluge of available works traces back to legislation Congress passed in 1998, which extended copyright protections by 20 years. The law reset the copyright term for works published from 1923 to 1977 — lengthening it from 75 years to 95 years after publication. Now that the term extension has run out, the spigot has been turned back on. Over the next few years, the impact will be great, in part because the 1920s were a fertile period for Western literature, with the rise of masters like F Scott Fitzgerald, William Faulkner, Ernest Hemingway and Virginia Woolf.
Once books become part of the public domain, theatre and film producers can adapt the works without having to secure rights. Rival publishing houses can issue new print editions, and scholars can publish new annotated versions. Free digital copies will also circulate online. NYT NEWS SERVICE

Thursday, January 23, 2014

Legal dispute raises question over the right to facts

Source: The Times of India dated 24.1.2014

Cricket scores: Legal dispute raises question over the right to facts

TIMES NEWS NETWORK 


New Delhi: TV broadcaster Multi-Screen-Media (MSM), which operates Sony, sued Online companies Cricinfo and Cricbuzz and radio broadcaster Radio One for disseminating realtime scores and updates for the ongoing India-New Zealand cricket series, without having obtained a licence from Sony. This follows a similar suit by Star against Cricbuzz, OnMobile, and Idea Cellular, for providing SMS updates of matches for which BCCI had given broadcast rights to Star. 
    The cases have sparked an emerging question on whether any company can have ownership over facts (which cannot be copyrighted) and what implications it may have on rights over free speech and expression. 
    Sony argued that it has paid a significant fee to the New Zealand Cricket Board for the exclusive media rights, and that this includes ‘data rights’, amongst the broadcast TV and digital rights. Sony was granted an ex-parte adinterim order by the Delhi High Court on Tuesday, restraining the three companies from disseminating any realtime scores, live/contemporaneous audio commentary or even “exploiting or authorising the exploitation of cricket match-related material/information/ details including but not limited to current cricket score, ball-by-ball updates, score cards, score updates, alerts etc, contemporaneous with match situations/events”. 
    Meanwhile, the suit initiated by Star last year is slated to be heard by the Supreme Court in March. The most recent ruling in August, by a division bench of the Delhi High Court, set aside an earlier order and stated that neither Star nor BCCI can license rights that have not been established to exist. More importantly, the court cited the constitutional implications upon the right to freedom of speech, stating that the earlier order, which gave Star limited rights “would tend to insidiously, and in a creeping manner, denude the fundamental right to free speech and dissemination of topical information to members of the public.” 
    Cricbuzz, OnMobile and Idea Cellular had argued that Star’s claim was barred by Section 16 of the Copyright Act, 1957, which precluded it from claiming copyright or other similar un-enumerated rights, and that they had published match information after it entered the public domain, that it was purely factual and amounted to news. They claimed that their actions did not amount to free-riding on the efforts of Star, as they did not copy the content of the broadcast or provide access to audio or visual footage of the broadcast. 
    These three companies further ar
gued that dissemination of information through SMS was in exercise of their free speech right under Article 19(1)(a) of the Constitution. Their right also extended to freedom to carry on business in dissemination of information to the public; both these rights could be restricted through reasonable restrictions enacted through law, which fell under Article 19(2) and not by common law. 
    These arguments succeeding in overturning the previous order of the Delhi High Court in March 2013, which had prohibited the three companies from disseminating contemporaneous ball-by-ball or minute-by-minute score updates/match alerts by SMS/MVAS for a premium without a licence from Star — but allowed them after a time lag of 15 minutes. However, “newsworthy information” (that is, who won the toss, scored a century, broke a record, etc.) 

was allowed to be disseminated immediately and that no licence was required if the information was disseminated gratuitously. 
    This gave Star limited rights over cricket scores and introduced the “Hot News” concept to India, wherein a company was given exclusive rights to report information via mobile for a certain period of time, while the news was still “hot”. 
    BCCI is indifferent towards live scoreboard updates, which come under purview of ‘data rights’. On the legal dispute over the media rights, BCCI told 
TOI that it was a matter between the broadcaster or title rights holder and the website or mobile companies which are selling live updates. “We have nothing to do with it. This issue is between New Zealand cricket board and the MSM and BCCI has nothing to do with it,” a top BCCI official said on Thursday. 
    Globally, however, the precedent has been in favour of the digital companies. In the US, a 1996 ruling between the NBA and Motorola /STATS stated that the broadcasts of NBA basketball games, not the games themselves, are entitled to copyright protection, and therefore, disseminating facts did not infringe upon broadcast rights. 
    Moreover, analysts point out that at the heart of the matter is the pragmatic question of enforceability of such rights in a digital age where realtime information is increasingly and easily available. If real-time scores are ruled to be proprietary content, it would imply that consumers who post these on Facebook or Twitter, or send messages via SMS or Whatsapp, are infringing upon rights, by sharing realtime score updates with friends! This is also impossible to enforce practically, and may end up placing sites such as Cricinfo at a disadvantage, relative to smaller sites or blogs which are less likely to be subject to legal action. It would also be near-impossible to enforce on websites based outside of India, being available globally. 
    The implication of a ruling in favour of Star would also set a precedent for news businesses outside of sports, implying that the right to report facts (which cannot be copyrighted) around any event would reside with the event holder, and news organizations would require licences from event organizers to report on them. It could also lead to a situation where real-time cricket scores would not be available on any digital medium, if the rights holder chooses to not disseminate the scores. If the court rules in favour of the digital companies, it would allow them to continue to disseminate real-time match information, as they currently do. 
    All in all, however, the nub of the issue is whether any proprietory ownership is possible over information and facts in the first place. As the Delhi High Court order in August pointed out, “neither Star nor BCCI can be permitted to say that mentioning “mobile” rights and auctioning them, would i p s o f a c t olegitimize the parcelling away of right to disseminate information, w i t h o u t f i r s t e s - t a b l i s h i n g t h a t t h e r i g h t o r e x c l u s i v e d o m a i n o v e r s u c h r i g h t s e x i s t e d i n t h e f i r s t i n s t a n c e . ” 
    As pointed out by analysts that that time, this essentially means that before you l i c e n s e rights, you should first establish that they e x i s t.

Thursday, April 4, 2013

Downloading free? The cops are coming

Source: DNA dated 3rd April 2013


The police recently warned and let off an IT professional, attached with a company in Vikhroli, for what thousands do surreptitiously every day.

He was downloading movies from a torrent site on his office computer. Most internet junkies would never anticipate that downloading songs and movies from torrents can invite a policeman home. But that is beginning to happen.
Soon after the incident last week, the company emailed its employees asking them to stay off torrent sites.
With a rising number of complaints, mostly from owners of copyrighted songs and movies, the cyber crime cell and the newly-formed social media laboratory have been monitoring internet users with large data downloads.

"There have been several such complaints recently... Only a person with a copyright can be a complainant,” Himanshu Roy, joint commissioner (crime), said. “This is a cognisable offence under the Copyrights Act.” In the Vikhroli case, too, the complainant was the copyright holder.

For those who do not know, downloading from a torrent site has always been illegal. “It is akin to buying pirated DVDs from a CD seller; only this is done within the safe confines of your house,” Vijay Mukhi, cyber security expert, said. Not many people are aware of the fact that using a torrent site is illegal,
he said.

Mukhi said action can be taken against an accused under the Copyrights Act, the IPC, or the IT Act. “Section 66 of the IT Act is very elaborate and covers several offences of similar nature... It is not only your office machine that is under the scanner, but also your personal computer.”
Asked how exactly the Mumbai police would keep track of who is downloading what from the internet, Roy said: “We have a team of cyber experts and we have started a social media lab. We track trends and with the help of the internet service providers, we conduct random checks on the content that is being downloaded from certain sites.”